evomusart 2013 CFP - 2nd International Conference

Do Jul 19 10:24:27 CEST 2012

*evo***** **call for papers

**evo**musart** **2013

2nd International Conference on Evolutionary and Biologically Inspired
Music, Sound, Art and Design** *

3-5 April 2013 / Vienna, Austria
http://www.evostar.org

Submission* **1 November 2012*
Conference *3-5 April 2013*
Notification to authors *21 December 2012*
Camera-ready deadline *15 January 2013*

Following the success of previous events and the importance of the field of
evolutionary and biologically  inspired music, sound, art and design, evo
musart has become an evo* conference with independent proceedings. Thus,evo
musart 2013 is the eleventh European Event and the second International
Conference on Evolutionary and Biologically Inspired Music, Sound, Art and
Design.

The use of biologically inspired techniques for the development of artistic
systems is a recent, exciting  and significant area of research. There is a
growing interest in the application of these techniques in fields  such as:
visual art and music generation, analysis, and interpretation; sound
synthesis; architecture; video; poetry; design; and other creative tasks.

The main goal of evomusart 2013 is to bring together researchers who are
using biologically inspired computer techniques for artistic tasks,
providing the opportunity to promote, present and discuss ongoing work in
the area. The event will be held from 3-5 April, 2013 in Vienna, Austria as
part of the evo* event.

Submissions will be rigorously reviewed for scientific and artistic merit.
Accepted papers will be presented orally or as posters at the event and
included in the evomusart proceedings, published by *Springer Verlag* in a
dedicated volume of the *Lecture Notes in Computer Science* series. The
acceptance rate at evomusart 2012 was 34.9% for papers accepted for oral
presentation, or 46.5% for oral and poster presentation combined.

*Topics of Interest*
Submissions should concern the use of biologically inspired computer
techniques — e.g. Evolutionary Computation, Artificial Life, Artificial
Neural Networks, Swarm Intelligence, other artificial intelligence
techniques — in the generation, analysis and interpretation of art, music,
design, architecture and other artistic fields.  Topics of interest
include, but are not limited to:

*Generation*

   - Biologically Inspired Design and Art — systems that create drawings,
   images, animations, sculptures, poetry, text, designs, webpages, buildings,
   etc.;
   - Biologically Inspired Sound and Music — systems that create musical
   pieces, sounds, instruments, voices, sound effects, sound analysis, etc.;
   - Robotic-Based Evolutionary Art and Music;
   - Other related artificial intelligence or generative techniques in the
   fields of Computer Music, Computer Art, etc.

*Theory*

   - Computational Aesthetics, Experimental Aesthetics; Emotional
   Response,  Surprise, Novelty;
   - Representation techniques;
   - Surveys of the current state-of-the-art in the area; identification of
   weaknesses  and strengths; comparative analysis and classification;
   - Validation methodologies;
   - Studies on the applicability of these techniques to related areas;
   - New models designed to promote the creative potential of biologically
   inspired computation;

*Computer Aided Creativity and Computational Creativity*

   - Systems in which biologically inspired computation is used to promote
   the creativity of a human user;
   - New ways of integrating the user in the evolutionary cycle;
   - Analysis and evaluation of: the artistic potential of biologically
   inspired art and music;  the artistic processes inherent to these
   approaches; the resulting artefacts;
   - Collaborative distributed artificial art environments;

*Automation*

   - Techniques for automatic fitness assignment;
   - Systems in which an analysis or interpretation of the artworks is used
   in conjunction with biologically inspired techniques to produce novel
   objects;
   - Systems that resort to biologically inspired computation to perform
   the analysis of image, music, sound, sculpture, or some other types of
   artistic object.

*   *   *

*Additional information and submission details*
Submit your manuscript, at most *12 A4 pages long*, in Springer LNCS format
no later than *November 1, 2012*.
Instructions downloadable from
http://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0<http://tech.groups.yahoo.com/group/evomusart/message/%3Ehttp:/www.springer.com/computer/lncs?SGWID=0-164-6-793341-0>
.
The reviewing process will be double-blind; please omit information about
the authors in the submitted paper.

*Programme committee*
Alain Lioret, Paris 8 University, France
Alan Dorin, Monash University, Australia
Alejandro Pazos, University of A Coruna, Spain
Alice Eldridge, Monash University, Australia
Amilcar Cardoso, University of Coimbra, Portugal
Amy K. Hoover, University of Central Florida, USA
Andrew Brown, Griffith University, Australia
Andrew Gildfind, Google, Inc., Australia
Andrew Horner, University of Science & Technology, Hong Kong
Anna Ursyn, University of Northern Colorado, USA
Antonino Santos, University of A Coruna, Spain
Arne Eigenfeldt, Simon Fraser University, Canada
Artemis Sanchez Moroni, Renato Archer Research Center, Brazil
Benjamin Schroeder, Ohio State University, USA
Bill Manaris, College of Charleston, USA
Brian Ross, Brock University, Canada
Carlos Grilo, Instituto Politécnico de Leiria, Portugal
Colin Johnson, University of Kent, UK
Dan Ashlock, University of Guelph, Canada
Dan Costelloe, Independent Researcher (Solace One Ltd), Ireland
Daniel Jones, Goldsmiths College,  University of London, UK
Douglas Repetto, Columbia University, USA
Eduardo Miranda, University of Plymouth, UK
Eelco den Heijer, Vrije Universiteit Amsterdam, Netherlands
Eleonora Bilotta , University of Calabria, Italy
Erik Hemberg, University College Dublin, Ireland
Francois Pachet, Sony CSL Paris, France
Gary Greenfield, University of Richmond, USA
Hans Dehlinger, Independent Artist, Germany
Hernán Kerlleñevich, National University of Quilmes, Argentina
J. E. Rowe, University of Birmingham, UK
James McDermott, University of Limerick, Ireland
Jeffrey Ventrella, independent artist/researcher, USA
John Collomosse, University of Surrey, UK
Jon McCormack, Monash University, Australia
José Fornari, NICS/Unicamp, Brazil
Juan Romero, University of A Coruna, Spain
Marcelo Freitas Caetano, IRCAM, France
Marcos Nadal, University of Illes Balears, Spain
Matthew Lewis, Ohio State University, USA
Michael O'Neill, University College Dublin, Ireland
Nicolas Monmarché, University of Tours, France
Oliver Bown, University of Sidney, Australia
Palle Dahlstedt, Göteborg University, Sweden
Paulo Urbano, Universidade de Lisboa, Portugal
Pedro Cruz, University of Coimbra, Portugal
Penousal Machado, University of Coimbra, Portugal
Peter Bentley, University College London , UK
Philip Galanter, Texas A&M College of Architecture, USA
Philippe Pasquier, Simon Fraser University, Canada
Rafael Ramirez, Pompeu Fabra University, Spain
Roger Malina, International Society for the Arts, Sciences and Technology,
USA
Roisin Loughran, University of Limerick, Ireland
Ruli Manurung, University of Indonesia, Indonesia
Scott Draves, Independent Artist, USA
Simon Colton, Imperial College, UK
Somnuk Phon-Amnuaisuk, University Tunku Abdul Rahman, Malaysia
Stephen Todd, IBM, UK
Takashi Ikegami, Tokyo Institute of Technology, Japan
Tim Blackwell, Goldsmiths College,  University of London, UK
Vic Ciesielski, RMIT, Australia
William Latham, University of London, UK

*Conference chairs*
James McDermott
University College Dublin, Ireland
jamesmichaelmcdermott [at] gmail [dot] com

Penousal Machado
University of Coimbra, Portugal
machado [at] dei [dot] uc [dot] pt

*Publication chair*
Adrian Carballal
University of A Coruna, Spain
adrian.carballal [at] udc [dot] es
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